curriculum vitae:


Lee Bracegirdle has held positions as principal horn in orchestras on 3 continents spanning more than 3 decades. His career as a composer began in 1998 as winner of the Kodaly Composers' Competition, followed by numerous commissions and requests for new works from his orchestral colleagues. As a composer he is represented by the Australian Music Centre and since 2008 his compositions have been published by C.F. Peters. As a conductor he trained at Salzburg's Mozarteum and he now guest conducts in Australia and Latin America. At the beginning of 2018 he becomes Chief Conductor and Artistic Director of the Woollahra Philharmonic Orchestra. He resides in Sydney, Australia.

Bracegirdle began musical training in his native Philadelphia, where he studied piano, organ, and various wind instruments, choosing the French Horn at age 14. He began tertiary studies at the Philadelphia Musical Academy (1970-1971) specialising in horn and organ. From 1971-76 he studied horn at New York's Juilliard School with James Chambers, John Cerminaro and Ranier de Intinis, earning a BM and MM, and also privately with Carmine Caruso and Roy Stevens. Among his lecturers at Juilliard who influenced his compositional style were the composers Pierre Boulez, Jacob Druckman, Vincent Persichetti, and Robert Starer.

Concurrent with his studies he embarked on a multi-faceted free-lance career, performing and recording as principal horn with the New York City Symphony Orchestra, the Brooklyn Philharmonia, and with many prominent jazz musicians, including Clark Terry, Ornette Coleman, Stanley Clark, Earl Gardner and Teo Macero. In 1975 he was principal horn in the New York premiere of Dave Brubeck's The Gates of Justice under Brubeck's direction.


In 1976-77 he held the positions of Co-Principal Horn with the Orquesta Filarmónica de la UNAM (México) and Principal Horn with the Chamber Orchestra of México City. In the summer of 1977 he joined the International Youth Orchestra in Bayreuth, Germany and in the same month became principal horn with the Hof Symphony Orchestra. During his tenure there he co-founded Germany’s premier brass quintet Rekkenze Brass and performed as soloist in the horn concertos of Mozart and Strauss. In 1980 he was appointed Associate Principal Horn with the Sydney Symphony Orchestra, a position in which he served until his retirement in 2012. He has made numerous recordings for the Australian Broadcasting Corporation as a soloist, chamber musician and principal horn, and in 1981 together with his SSO colleagues he founded the Australian Brass Quintet. In 2000 he toured with Barbra Streisand as Principal Horn of the Sydney International Orchestra. Live video broadcasts of many of his performances as principal horn can be viewed here on Youtube.

He has edited horn études for the I.M.C in New York and published his own studies and brass chamber music through 3-C Musikverlag in Bochum, Germany. He has given horn master classes at the Juilliard School, Salzburg Mozarteum, Curtis Institute, University of Illinois, the Chopin University of Music in Warsaw, the Conservatorio Esteban Salas in Santiago, Cuba, and the Conservatorium of Matanzas, Cuba. His students hold positions in professional orchestras in several countries. In addition to private teaching he has been horn tutor at Sydney's St. Andrew's Cathedral School since 2006 and at The King's School since 2014. He is an endorsing artist for the Conn model 8D French Horn through the Conn-Selmer Centerstage program.

He studied conducting with Michael Gielen at the Salzburg Mozarteum from 1990-1992, and in 1991 took part in master classes with Sergiu Celibidache in Mainz. He received further conducting tutelage in Sydney with Sir Charles Mackerras, Carlo Felice Cillario, Vernon Handley and Eduardo Mata, and made his conducting debut in 1991 with the Orchestra of the Mozarteum. Since 1996 he has been Musical Director and Composer-in-Residence of the Australian Chamber Ballet, and he appears frequently as guest conductor with many Sydney-based ensembles. In 2014, as guest conductor of the Orquesta Sinfónica de Oriente he became the first Australian to conduct in Cuba, and by including his own composition on the program, the first Australian contemporary composer to be performed there. His work in Cuba continues in 2016 and 2017 as guest conductor of the orchestras of Santiago, Holguín and Matanzas. In 2018 he was appointed Chief Conductor and Musical Director of the Woollahra Philharmonic Orchestra.

In 1998 he won First Prize in the Zoltan Kodaly International Composers’ Competition for his first orchestral work, Divertimento for Orchestra. He was subsequently awarded an honorary diploma from the Kodaly Academy in Chicago.

The Sydney Symphony Orchestra have performed the premieres of his compositions Variations for Orchestra, Ammerseelieder, Concerto for Euphonium and Orchestra and Legends of the Old Castle for harp and wind orchestra. Legends and Threnos for solo-horn, winds and percussion were commissioned by the American Wind Symphony Orchestra. All of these are published by C.F. Peters. Works written at the request of his S.S.O colleagues have been Euphonium Concerto (2007), Passacaglia and Gigues (2011) for double-bass and chamber orchestra, Violin Concerto (2012), and Triptych (2017) for Saxophone and Orchestra. Violin Concerto was premiered in 2015 with the S.S.O.'s former concertmaster Michael Dauth as soloist. This work was awarded runner-up in the 2012 David Harold Tribe Symphony competition.

He has been Composer-in-Residence in the Brahmshaus in Baden-Baden, and at Bundanon, the NSW South Coast arts foundation endowed through the estate of the late Australian artist Arthur Boyd.